MICHAEL COMBS

Game Room

April 27 – May 19, 2012

MICHAEL COMBS

The Wish, 2008

wood, urethane, resin, vinyl, and aluminum

58 x 58 x 128 inches

MICHAEL COMBS

Big Baller, 2011

Longhorn - urethane foam, polyester resin, vinyl, pins

65 x 38 x 45 inches

MICHAEL COMBS

Adam, 2013

Linden wood, birch branches, and deer antlers

11.5 x 11.5 x 11.5 inches

MICHAEL COMBS

Head of State, 2011

urethane foam, polyester resin, vinyl, pins

48 x 32 x 21 inches

MICHAEL COMBS

Ages Three and Up, 2003

wood, oils, and motorcycle springs

48 x 48 x 27 inches

MICHAEL COMBS

Heavy Bag, 2011

vinyl and alligator skin

37 x 17 x 13 inches

MICHAEL COMBS

Man Up, 2011

Lincoln Logs, rubber cladding, suspenders

55 x 15 x 10 inches

MICHAEL COMBS

Stick and Jab, 2011

birch branches, urethane foam, alligator skin, vinyl skin

19 x 30 x 34 inches

MICHAEL COMBS

Trophy, 2000

carved wood, pyrography, and paint

18 x 18 x 36 inches

MICHAEL COMBS

Wild Card, 2011

urethane foam, polyester resin, vinyl, pins

32 x 21 x 17 inches

MICHAEL COMBS

Ecstasy of Saint Teresa, 2006

wood, paint, and 1880 porcelain bed pans

36 x 18 x 13 inches

MICHAEL COMBS

The Evolution of Desire, 2006

archival print mounted on plexi

60 x 30 inches

Press Release

JONATHAN FERRARA GALLERY is proud to announce Game Room, an exhibition of new sculpture by artist MICHAEL COMBS. The exhibition will run March 27th  - May 19th, 2012 with artist receptions on Saturday, April 7th and Saturday, March 5th, from 6-9pm.

Man's relationship to nature isn't always pretty. I often dissect the absurdity of what we do, for example the lengths in which we go for power, security, or sex. I find it extremely similar to what happens in the animal kingdom. I am interested in what makes us tick, the ways in which our contradictions pose a threat to ourselves and our world, and how dangerous we are to our environment. Out of my knowledge and attraction for nature and hunting, I can unearth the issues and create personal visions that explore them in their lurid and sometimes ludicrous complexity. 

-Michael Combs

MICHAEL COMBS uses familiar elements of Americana and materials reminiscent of masculine icons such as Hemingway and Roosevelt. His football helmets, punching bags, and sports equipment illustrate another boyhood obsession, and are symbolic of how the west was won within the context of an infamous sports rivalry. The equipment acts as another example of the societal need for acceptance and a reminder that sometimes it's best to be all that you can't be.

Growing up on Long Island's East End, Combs was raised by generations of hunters, fishermen, boat builders, and decoy makers. Instead of becoming an avid hunter himself, the upbringing ignited his passion for nature and position against the vanity of the sport. 

Michael Combs lives and works in New York. He has a MFA from the School of Visual Arts. He has shown at galleries and museums throughout the US. In 2005, Combs had a solo exhibition at the Parrish Art Museum entitled The Trophy Room where he transformed gallery space into an immersive display of sculpted hunting conquests.  He is scheduled for an upcoming solo exhibition at 21c Museum later this year.

His work has been featured in Sculpture magazine, ARTNews, The New York Times, The New Yorker, Hamptons Magazine,  Newsday, Art in America, and ArtForum.

His selected collections include Parrish Art Museum, 21C Museum, Beth Rudin Dewoody, Klaus Kertess, and Marianne Boesky.