![SKYLAR FEIN Aspirin [interior view], 2015](https://img.artlogic.net/w_1010,h_580,c_limit/exhibit-e/5493565707a72c7342335013/192447f42d625685be19ee37ca0a0312.jpeg)
![SIDONIE VILLERE January [diptych], 2015](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5493565707a72c7342335013/272f81bfc5a7f547ae06b85aba423558.jpeg)
MARGARET EVANGELINE
KATRINA ANDRY
The Jungle Bunny Gave You Fever. The Only Cure is to Fuck the Bunny. She Wants It., 2011
digital media and color woodcut reduction print on coventry linen rag
62.75 x 43 inches
Edition of 6
This is a stereotype of the Jungle Bunny; the hypersexual, exotic creature from another land. The aspect of being hypersexual was often used from the 1400-1940s as a reason as to why raping women of color wasn’t seen as a crime against humanity. They wanted it obviously. The term “jungle fever”, as if being involved with a person of color implies that you’ve been stricken with some sort of disease because it’s not natural for two people from different ethnic backgrounds to “love” one another. There can only be a feverish lust between the two of them, no true actual feelings of love. How could you love a Jungle Bunny? This piece confronts the stereotype of women of color being lascivious, hypersexual, animalistic, exotic beings.
KATRINA ANDRY
The Unfit Mommy and Her Spawn Will Wreck Your Comfortable Suburban Existence, 2010
digital media and color woodcut reduction print on coventry linen rag
60.75 x 47 inches
Edition of 7
This piece relates to the “Mammy Complex” in that it implies that black women are careless with their own children, and ineffective at raising contributing members of society. Her children are not as “precious” as the children of her white peers. They aren’t cherished, and they will grow up to be menaces that need to be kept away from us. This enforces the idea of the “Super-predator”. Children that will inevitably grow up to be menaces of society and the only solution to keeping them away from us is to lock them up. They were born menaces, from a menacing mother, and we want nothing to do with them. We’d rather not live around them in our suburbia. They’ll ruin it for us. Seeing black children in this light, as the “Super-predator” paves the way for mass incarceration of black males (adults and children) and for situations we now find ourselves in like the shooting of Trayvon Martin and many others that have been killed based on fear alone.
MARGARET EVANGELINE
Monty & Liz, 2011
oil on canvas with crystallina
60 x 60 inches
MARGARET EVANGELINE
A Fable, 2012
oil on canvas
48 x 48 inches
MARGARET EVANGELINE
Delta Marl, 2013
oil on canvas
60 x 60 inches
MARGARET EVANGELINE
Sunday Morning II, 2014
gunshot stainless steel with powder coating
42 x 42 inches
SKYLAR FEIN
Happiness Is, 2015
painted aluminum, homasote, rubber
24.5 x 24 x 5 inches
SKYLAR FEIN
King Edward Cigars, 2015
painted aluminum, homasote, rubber
27 x 24 x 4 inches
SKYLAR FEIN
Pepsi (Think Young), 2015
painted aluminum, homasote, rubber
26 x 24 x 5.5 inches
SKYLAR FEIN
Aspirin, 2015
painted aluminum, homasote, rubber
25 x 24 x 5 inches
SKYLAR FEIN
Aspirin [interior view], 2015
painted aluminum, homasote, rubber
25 x 24 x 5 inches
SKYLAR FEIN
Why Not Sizzler, 2015
painted aluminum, homasote, rubber
25 x 24 x 4.5 inches
SKYLAR FEIN
Do You Know a Space Cadet?, 2014
painted aluminum, wood, rubber
24 x 24 x 4 inches
SKYLAR FEIN
Big Hits Rolling Papers, 2014
painted aluminum, wood, rubber
24 x 24 x 4 inches
SKYLAR FEIN
Thank You (Vaughn's Bar), 2015
painted aluminum, homasote, rubber
24 x 24 x 5 inches
SKYLAR FEIN
Budweiser, 2015
painted aluminum, homasote, rubber
24 x 24 x 5 inches
SKYLAR FEIN
Looking for Something? (Use the Yellow Pages), 2015
painted aluminum, homasote, rubber
27 x 24 x 5 inches
SKYLAR FEIN
Marlin, 2015
painted aluminum, homasote, rubber
27 x 24 x 5 inches
BONNIE MAYGARDEN
Elemental I, 2015
acrylic on canvas
48 x 48 inches
BONNIE MAYGARDEN
Elemental II, 2015
acrylic on canvas
48 x 48 inches
SIDONIE VILLERE
Solace, 2008
styrofoam and plaster
20 x 27 x 27 inches per unit
SIDONIE VILLERE
January [diptych], 2015
canvas, string, nylon net, wire, plaster, muslin, acrylic and nylon stocking on gessoboard
14 x 11 x 2.5 inches per unit
SIDONIE VILLERE
Bind, 2013
porcelain, glaze and cord
7 x 6.5 x 6 inches per unit
SIDONIE VILLERE
April, 2015
porcelain, plaster, white cement, and nylon stocking
approximate dimensions: 15.5 x 5.5 x 4 inches each
heights variable per unit
SIDONIE VILLERE
Untitled, 2015
net, plaster, acrylic and muslin on gessoboard
12 x 9 x 2.5 inches
SIDONIE VILLERE
June, 2015
canvas, burlap, plaster, cord, acrylic, string, thread and nylon stocking on gessobord
24 x 18 x 3 inches
SIDONIE VILLERE
February, 2015
oil, spray paint, pencil, acrylic, tissue paper and plaster on plywood
36 x 27 x 3 inches
SIDONIE VILLERE
March, 2015
gauze, paraffin wax, acrylic and burlap on gessoboard
18 x 14 x 3 inches
SIDONIE VILLERE
May, 2015
porcelain, glaze, nylon stocking
approximate dimensions: 15.5 x 13.5 x 6 inches per unit
MARNA SHOPOFF
Landscape, 2015
oil, gouache and ink on canvas
31.5 x 40 inches
MARNA SHOPOFF
A Touch of Velvet, 2015
oil, acrylic, gouache, ink on canvas
17 x 17 inches
MARNA SHOPOFF
The Bridge Between, 2015
oil, gouache, acrylic, ink on canvas
23 x 12.5 inches
MARNA SHOPOFF
Ribbon, 2015
oil, acrylic, gouache and ink on canvas
12.5 x 10 inches
MARNA SHOPOFF
Borrowed Space, 2015
oil, gouache, ink on linen
16 x 16 inches
MARNA SHOPOFF
Layered, 2015
oil, acrylic, gouache, ink on canvas
60 x 108 inches
