MARCUS KENNEY
St. KicKitic, 2010
reclaimed taxidermy, fabric, gar, felt, turtle shells, beads, twine, buttons, plastic, miscellaneous objects
36 x 38 x 25 inches
MARCUS KENNEY
Bohlanzoh, 2011
reclaimed taxidermy, twigs, fabric, feathers, foam, paper, cork, faux hair, yarn, beads, plastic, metal, etc. on wooden panel.
27 x 29 x 62 inches
MARCUS KENNEY
St. Fuquwah, 2010
reclaimed taxidermy, sticks, paint brushes, rope, twine, plastic, paper bowls, acrylic, oil, nails, screws, beads, various papers, thread, yarn, and miscellaneous objects
29 x 49 x 23 inches
JONATHAN FERRARA GALLERY is proud to announce MARCUS KENNEY: State of Nature, New Mixed Media Sculpture and Collage. This is the first solo exhibition by newly-represented artist Marcus Kenney, who is well-known for his multi media collage works. The exhibition will run February 1 - March 17, 2012 with artist receptions on Friday, February 3rd and Saturday, March 3rd from 6-9pm.
In his current body of work State of Nature, Kenney has expanded his assemblage practice to even more sculptural results.
This body of work is a response to my growing interest in all things that have an indigenous quality to them. I am attracted to natural histories and native cultures and have molded this collection around that general idea. "State of Nature," according to the dictionary definition, is a term in political philosophy used in social contract theories to describe the hypothetical condition that preceded governments and what will happen when a government dissolves. Society would revert back to a "State of Nature" and become more tribal. With this body of work I imagine a postmodern society and the images and items found within it. A tribe where animals become deities and leaders along side their human contemporaries.
I grew up in a hunting family so having deer around the house were quite common. Each season my mother decorated the taxidermy with the appropriate holiday attire. Every Mardi Gras she would adorn them with beads and during Christmas she would embellish them with garland, balls and Santa hats. So it seemed natural to the evolution of my work to create my own version. I have taken it to another level by embellishing taxidermy to present the animals as deified beings instead of a trophy that symbolizes conquest. I am interested in transforming the animals into more than a trophy and into something that resonates beyond the material aspects and deeper into the spiritual not unlike altarpieces or relics. I try to give each one its own particular identity and work in a way that the sculptures develop themselves over the course of several months. Items brought into my studio tend to find their way onto a particular work as if it belonged there since its inception. - Marcus Kenney
MARCUS KENNEY is widely recognized for his signature mixed-media pieces composed largely of found and appropriated materials. Kenney collects castoff items - old photographs, magazines and newspapers, paint-by-number works, wallpaper and other familiar objects - which he assembles into compelling, skillfully composed works of art. Marcus Kenney is a creator of provocative and often unsettling works of art.
Originally from rural Louisiana, Marcus Kenney has lived in Savannah, GA for the last 15 years. He earned an MFA from the Savannah College of Art and Design in 1998. Kenney works in many mediums including collage, sculpture, paint, photography and installation. His work has been exhibited in New York, London, Miami, Chicago, Atlanta, Hong Kong, Paris, New Orleans, and St. Louis. He has been included in numerous group shows, art fairs, and solo exhibitions including a major ten year survey featuring nearly 50 works at Jepson Center for the Arts, a collection of his work titled "Marcus Kenney" was subsequently published by SCAD.
Marcus Kenney's work is in numerous private and public collections throughout the U.S. including Museum of Contemporary Art of GA, Atlanta, GA; Masur Museum of Art, Monroe, LA; Fidelity Investments, Boston, MA; College Of Charleston, Charleston, SC; Memorial Hospital, Savannah, GA; Savannah College Of Art and Design; Bank One, Monroe, LA; Jepson Center for the Arts, Savannah, GA; SABA Photos, New York, NY; Molloy College, New York, NY; Telfair Museum Of Art, Savannah, GA; King and Spalding, Atlanta, GA.
Kenney has been featured in numerous publications including Art in America, ArtPapers, The New York Times, South Magazine, Oxford American, ARTNews, The Boston Globe, Atlanta Journal Constitution and New York Arts Magazine. He has twice been featured in New American Paintings Southern Edition in 2004 and 2011.
