RICHELLE GRIBBLE

Anthropocene

May 30 - July 14, 2018

RICHELLE GRIBBLE

Imprints, 2018

acrylic on yupo

71.5 x 55 inches complete installation

14 x 17 inches each

RICHELLE GRIBBLE

Imprints I, 2018

acrylic on yupo

14h x 17w in

RICHELLE GRIBBLE

Imprints II, 2018

acrylic on yupo

14h x 17w in

RICHELLE GRIBBLE

Imprints III, 2018

acrylic on yupo

14h x 17w in

RICHELLE GRIBBLE

Imprints IV, 2018

acrylic on yupo

14h x 17w in

RICHELLE GRIBBLE

Imprints V, 2018

acrylic on yupo

14h x 17w in

RICHELLE GRIBBLE

Imprints VI, 2018

acrylic on yupo

14h x 17w in

RICHELLE GRIBBLE

Imprints VII, 2018

acrylic on yupo

14h x 17w in

RICHELLE GRIBBLE

Imprints VIII, 2018

acrylic on yupo

14h x 17w in

RICHELLE GRIBBLE

Imprints IX, 2018

acrylic on yupo

14h x 17w in

RICHELLE GRIBBLE

Earth Core, 2018

acrylic, string, wire, steel frame, wood

48h x 48w in

RICHELLE GRIBBLE

Paths: Boise, ID, 2018

charcoal, spider web on bamboo washi

14.88 x 20.13 in

RICHELLE GRIBBLE

Paths: Boston, MA, 2018

charcoal, spider web on bamboo washi

14.88 x 20.13 in

RICHELLE GRIBBLE

Paths: Chicago, IL, 2018

charcoal, spider web on bamboo washi

14.88 x 20.13 in

RICHELLE GRIBBLE

Paths: Dallas, TX, 2018

charcoal, spider web on bamboo washi

14.88 x 20.13 in

RICHELLE GRIBBLE

Paths: Miami, FL, 2018

charcoal, spider web on bamboo washi

14.88 x 20.13 in

RICHELLE GRIBBLE

Paths: Minneapolis, MN, 2018

charcoal, spider web on bamboo washi

14.88 x 20.13 in

RICHELLE GRIBBLE

Paths: Toronto, CA, 2018

charcoal, spider web on bamboo washi

14.88 x 20.13 in

RICHELLE GRIBBLE

Paths: Philadelphia, PA, 2018

charcoal, spider web on bamboo washi

14.88 x 20.13 in

RICHELLE GRIBBLE

Paths: Los Angeles, CA, 2018

charcoal, spider web on bamboo washi

14.88 x 20.13 in

RICHELLE GRIBBLE

Eco Footprints, 2018

mixed media

11 x 4 inches each, installation size varies

RICHELLE GRIBBLE

Linked, 2017

acrylic, oil pastel, and ink on panel

4 x 4 inches each, modular size varies

RICHELLE GRIBBLE
Linked [details], 2017
acrylic, oil pastel, and ink on panel
250 panels, 4 x 4 inches each, modular size varies

RICHELLE GRIBBLE
Linked [details], 2017
acrylic, oil pastel, and ink on panel
250 panels, 4 x 4 inches each, modular size varies

RICHELLE GRIBBLE

Biodiversity, 2017

watercolor on wood puzzle

38.50h x 62w in

RICHELLE GRIBBLE

Biodiversity [framed], 2017

watercolor on wood puzzle

38.50h x 62w in

RICHELLE GRIBBLE

Biodiversity [detail], 2017

watercolor on wood puzzle

38.50h x 62w in

RICHELLE GRIBBLE

Biodiversity [detail], 2017

watercolor on wood puzzle

38.50h x 62w in

RICHELLE GRIBBLE

Invisible Complexities (Kumo No Su) I & II, 2017

Cotton rope embedded in handmade kozo washi

39h x 39w in each

RICHELLE GRIBBLE

Invisible Complexities (Kumo No Su) I, 2017

Cotton rope embedded in handmade kozo washi

39h x 39w in

RICHELLE GRIBBLE

Invisible Complexities (Kumo No Su) II, 2017

Cotton rope embedded in handmade kozo washi

39h x 39w in

RICHELLE GRIBBLE
Biospheres [installation], 2017
ink, graphite, colored pencil on Stonehenge (6 panels)
30 x 24 inches (each piece) 

RICHELLE GRIBBLE
Biospheres, 2017
ink, graphite, colored pencil on Stonehenge (6 panels)
30 x 24 inches

RICHELLE GRIBBLE

Biosphere I, 2017

ink, graphite, colored pencil on Stonehenge

30h x 24w in

RICHELLE GRIBBLE

Biosphere II, 2017

ink, graphite, colored pencil on Stonehenge

30h x 24w in

RICHELLE GRIBBLE

Biosphere III, 2017

ink, graphite, colored pencil on Stonehenge

30h x 24w in

RICHELLE GRIBBLE

Biosphere IV, 2017

ink, graphite, colored pencil on Stonehenge

30h x 24w in

RICHELLE GRIBBLE

Biosphere V, 2017

ink, graphite, colored pencil on Stonehenge

30h x 24w in

RICHELLE GRIBBLE

Biosphere VI, 2017

ink, graphite, colored pencil on Stonehenge

30h x 24w in

RICHELLE GRIBBLE

Pieces of the Land, 2017

Ink, colored pencil, graphite on washi

11.75h x 8.25w in

RICHELLE GRIBBLE

Pieces of the Land, 2017

Ink, colored pencil, graphite on washi

11.75h x 8.25w in

RICHELLE GRIBBLE

Pieces of the Land, [detail] 2017

Ink, colored pencil, graphite on washi

11.75h x 8.25w in

RICHELLE GRIBBLE

Pieces of the Land, [detail] 2017

Ink, colored pencil, graphite on washi

11.75h x 8.25w in

RICHELLE GRIBBLE 
Organized Chaos, (installation) 2016
mixed media
67.5 x 116.5 inches

RICHELLE GRIBBLE

Organized Chaos I, 2017

mixed media

18h x 18w in

RICHELLE GRIBBLE

Organized Chaos II, 2016

mixed media

18h x 18w x 3d in

RICHELLE GRIBBLE

Organized Chaos III, 2017

mixed media

18h x 18w in

RICHELLE GRIBBLE

Organized Chaos IV, 2017

mixed media

18h x 18w in

RICHELLE GRIBBLE

Organized Chaos V, 2017

mixed media

18h x 18w x 3d in

RICHELLE GRIBBLE

Organized Chaos VI, 2016

mixed media

18h x 18w x 3d in

RICHELLE GRIBBLE

Organized Chaos VII, 2017

mixed media

18h x 18w in

RICHELLE GRIBBLE

Organized Chaos VIII, 2016

mixed media

18h x 18w x 3d in

RICHELLE GRIBBLE

Organized Chaos IX, 2017

mixed media

18h x 18w x 3d in

RICHELLE GRIBBLE

Organized Chaos X, 2017

mixed media

18h x 18w x 3d in

RICHELLE GRIBBLE

Organized Chaos XI, 2018

mixed media

18h x 18w x 3d in

RICHELLE GRIBBLE

Organized Chaos XII, 2017

mixed media

18h x 18w x 3d in

RICHELLE GRIBBLE

Organized Chaos XIII, 2017

mixed media

18h x 18w x 3d in

RICHELLE GRIBBLE

Organized Chaos XIV, 2017

mixed media

18h x 18w x 3d in

RICHELLE GRIBBLE

Organized Chaos XV, 2016

mixed media

18h x 18w x 3d in

RICHELLE GRIBBLE

Organized Chaos XVI, 2017

mixed media

18h x 18w in

Press Release

JONATHAN FERRARA GALLERY proudly presents the second solo exhibition of Los Angeles-based artist Richelle Gribble, entitled Anthropocene. With a strong interest in environmentalism, the artist examines human impact on nature and the biological consequences of human influence. Gribble’s highly conceptual work includes painting, drawing and sculpture. The exhibition will be on view from 31 May through 14 July 2018 with an opening reception coinciding with the Arts District of New Orleans’ (ANDO) First Saturday Gallery Openings on Saturday 2 June 6- 9pm.

 

Robert Simmon, Planet Labs Senior Data Visualizer Engineer and former Lead Data Visualizer at NASA says of her work:

“Gribble’s art is restless, moving from dioramas painstakingly assembled from found materials, to a sprawling network of miniature painted snapshots, to filaments of spider silk arranged to echo urban streetscapes. Despite the diversity of media, her work maintains a continuity of theme, a sense of place, and a reverence for our home planet.”

 

The artist elaborates on the purpose of the work in the exhibition . . .


Anthropocene: noun | An·thro·po·cene | an(t)-thrə-pə-ˌsēn

The period of time during which human activities have had an environmental impact on the Earth regarded as constituting a distinct geological age. (Merriam Webster)


Anthropocene explores the complex relationship between humanity and the environment. To examine our impact, it is crucial to witness life with and without human influence. This collection encompasses three key phases: nature without humanity; nature with humanity; and human impact on Earth. This exploration shows how humans are not separate from nature, but integrated into it. Thus, our behaviors and actions impact where we come from and effect where we are going.


Nature without humanity is examined in works such as “Biosphere,” “Invisible Complexity,” and “Biodiversity” to marvel at exquisite nature living harmoniously as one connected system. It is innocent, void of human impact, and stunning in its appearance. Vibrant in color, the organisms and environments are alive and entangled. Ecology is explored by linking hundreds of species in unified webs and biospheres. These works are optimistic and use connective structures and circular compositions to suggest interconnectivity and unity in nature.


Nature with humanity is then revealed by man-made systems and technology introduced into works. This is evidenced in “Organized Chaos,” “Linked,” “Paths,” and “Earth Core.” They show how humans exist in nature as well as how we mimic and design inspired by nature. The combination between human population, technology, and progress is not separate from the natural world, but born from it. There is a sense of wonder and purpose found when human life is seen as just one of many components of a global ecosystem. Our creations and existence derive directly from our origin. 


Human impact in nature fully contemplates the Anthropocene geological age in which we currently exist. Traces of humanity find evidence in all facets of life. Icebergs contain traces of oil extracted by man, while we litter the deepest parts of the ocean with our trash. We have no boundary to our reach; we have left our imprints everywhere. We are replacing pristine nature that existed before us with our own devices. “Imprints” illustrates our human tendency to claim territory and leave a trace, marking our existence. While “Eco-Footprints” represent the path we leave behind, even after we are gone.

What comes next? Our impact on nature is undeniable. The question remains if the net effect is entirely destructive, or merely undergoing natural changes in human presence. So much of human progress is associated to advances in technology but this increasingly burdens our limited resources. How do we grapple with two colliding systems - nature and human progress - that are both needed for evolution? Much of human ingenuity and technology is inspired by nature and natural processes, thus depleting diverse ecosystems jeopardizes human innovation. However, intentionally slowing progress to protect nature would prohibit human evolution and ask deeper moral questions about the human right to thrive. How can we be involved in regulating society’s progress relative to nature? How do we choose? And, is it even up to us, or has the innate DNA of humanity already chosen?


Art & Science collides to investigate the world we live in. “Organized Chaos” and “Linked” contain source material of satellite imagery collected using Planet Explorer Beta during a 3-month artist residency at Planet Labs, an Earth-imaging satellite company. “Earth Core” is based on collaboration with NASA’s Lead Data Visualizer, Robert Simmon to dissect his famous “Blue Marble” image composed of four months of light data into a woven textile. “Paths” depicts city maps of bike paths and walkways generated on RunKeeper and reconfigured into real spider web formations. “Biodiversity” illustrates more than 850 species observed and documented at a 1-month artist residency at the Brush Creek Foundation for the Arts in Wyoming.

 

RICHELLE GRIBBLE creates mixed media paintings and drawings, prints, videos, puzzles and sculptures. Her artwork is inspired by concepts of virality, ecology, networks, group dynamics, and social trends that connect us all.  She earned a BFA in Studio Arts from the Roski School of Art and Design with dual minors in Social Entrepreneurship and Marketing at the University of Southern California, in 2013. Winner of 2016 Grand Prize Award for solo exhibition and representation at JONATHAN FERRARA GALLERY with inclusion in Art Market San Francisco, Texas Contemporary, and Miami Project. Works have even been exhibited in alternative spaces such as on an LED screen in Times Square, Christie’s Salesroom Rockefeller Center, John Wayne Airport, and more. Her artwork is etched onto four Dove satellites in the first-ever orbiting art show in outer space facilitated by Planet Labs.

 

Gribble active has been awarded numerous residencies. Including most recently: Lakeside Lab, Art and Science Residency (Wahpeton, IA), Vermont Studio Center, Fellowship Award & Scholarship (Johnson, VT) and PLAYA, Art and Science Residency (Summer Lake, OR). Later this year she will Biosphere 2, Art and Science Residency in Oracle, Arizona. In 2017, alone, she participated in: Awagami A.I.R, Artist Residency, Awagami Factory, (Yoshinogawa, Japan), Planet Labs, Artist Residency (San Francisco, CA), Brush Creek Foundation for the Arts, Artist Residency, (Saratoga, WY) and The Chetwood, Artist Residency (Oakland, CA). Her work appears in the collections of Tides Institute and Museum of Art, Relativity Space, Kala Art Institute, USC Art & Trojan Traditions Collection, Awagami Factory, Playa Art and Science Collection, and various private collections. Work presented in a TEDxTrousdale talk “What is our Role within a Networked Society?” and published in The Creator’s Project, The Atlantic, and VICE Magazine.  

 

For further information, press or sales inquiries please contact the gallery. Join the conversation with JFG on Facebook (@JonathanFerraraGallery), Twitter (@JFerraraGallery), and Instagram (@JonathanFerraraGallery) via the hashtags #RichelleGribble, #JonathanFerraraGallery and #ArtsDistrictNewOrleans.